104 Mediterranean Hospitality Room

A hotel room built around a striped navy headboard, woven rattan pendants, and a minibar nook finished in oak and cane.

This one started with a headboard: navy wainscoting rising into a hand-painted stripe that reads almost nautical without tipping into cliché. Two woven rattan pendants flank the bed like a pair of lanterns, casting warm light against the pattern rather than competing with it. The rest of the room stays quiet by comparison — herringbone oak flooring, a cane-fronted minibar console tucked beside the closet, an oval mirror mounted on raw concrete-textured plaster. Sheer curtains pull daylight in from a floor-to-ceiling opening, softening the contrast between the room's darker headboard wall and its pale plaster surfaces. Every finish, from the cane weave to the wall paint, was carried from initial concept through 3D visualization and into construction-ready specifications, so what guests eventually check into matches the room as designed.

Este diseño partió de un cabecero: un friso azul marino que sube hasta convertirse en una franja pintada a mano, con un aire náutico sin caer en el cliché. Dos lámparas colgantes de ratán tejido flanquean la cama como un par de faroles, aportando una luz cálida que resalta el patrón en lugar de competir con él. El resto de la habitación se mantiene en un segundo plano: piso de roble en espiga, un mueble de minibar con frente de bejuco junto al clóset, un espejo ovalado montado sobre un muro con textura de concreto. Cortinas translúcidas dejan entrar la luz natural desde un vano de piso a techo, suavizando el contraste entre la pared más oscura del cabecero y las superficies claras del resto del cuarto. Cada acabado, desde el tejido de bejuco hasta la pintura del muro, se desarrolló desde el concepto inicial hasta la visualización 3D y las especificaciones listas para construcción, de modo que lo que el huésped encuentra al llegar coincide con lo que se diseñó.

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Hi! I’m Isabel Reyes. I bridge Interior Architecture and Industrial Design into great Spaces and Objects, delivering comprehensive construction documentation, technical drafting, and high-fidelity 3D visualization.

Made with <3 in Ambato

104 Mediterranean Hospitality Room

A hotel room built around a striped navy headboard, woven rattan pendants, and a minibar nook finished in oak and cane.

Hi! I’m Isabel Reyes. I bridge Interior Architecture and Industrial Design into great Spaces and Objects, delivering comprehensive construction documentation, technical drafting, and high-fidelity 3D visualization.

Made with <3 in Ambato

This one started with a headboard: navy wainscoting rising into a hand-painted stripe that reads almost nautical without tipping into cliché. Two woven rattan pendants flank the bed like a pair of lanterns, casting warm light against the pattern rather than competing with it. The rest of the room stays quiet by comparison — herringbone oak flooring, a cane-fronted minibar console tucked beside the closet, an oval mirror mounted on raw concrete-textured plaster. Sheer curtains pull daylight in from a floor-to-ceiling opening, softening the contrast between the room's darker headboard wall and its pale plaster surfaces. Every finish, from the cane weave to the wall paint, was carried from initial concept through 3D visualization and into construction-ready specifications, so what guests eventually check into matches the room as designed.

Este diseño partió de un cabecero: un friso azul marino que sube hasta convertirse en una franja pintada a mano, con un aire náutico sin caer en el cliché. Dos lámparas colgantes de ratán tejido flanquean la cama como un par de faroles, aportando una luz cálida que resalta el patrón en lugar de competir con él. El resto de la habitación se mantiene en un segundo plano: piso de roble en espiga, un mueble de minibar con frente de bejuco junto al clóset, un espejo ovalado montado sobre un muro con textura de concreto. Cortinas translúcidas dejan entrar la luz natural desde un vano de piso a techo, suavizando el contraste entre la pared más oscura del cabecero y las superficies claras del resto del cuarto. Cada acabado, desde el tejido de bejuco hasta la pintura del muro, se desarrolló desde el concepto inicial hasta la visualización 3D y las especificaciones listas para construcción, de modo que lo que el huésped encuentra al llegar coincide con lo que se diseñó.